A bridge too far? – Analysis of special bridge constructions in PotEG

7.10 Special bridge constructions poteg-7-10-guitar-bridge-designs 7.10.1 Simple models poteg-7-10-1-equivalent-circuits 7.10.2 Bridges without vibrato (Gibson / Fender) poteg-7-10-2-non-vibrato-bridges poteg-7-10-2-1-gibson-abr-1 poteg-7-10-2-2-telecaster-bridge 7.10.3 Bridges with vibrato (Fender / Bigsby / Rickenbacker) poteg-7-10-3-bridges-with-vibrato poteg-7-10-3-1-stratocaster-bridge poteg-7-10-3-2-jazzmaster-bridge poteg-7-10-3-3-bigsby poteg-7-10-3-4-rickenbacker  

What PotEG has to say about the Operational Behavior of Amps

10.9 Operational behavior poteg-10-09-general-operating-characteristics 10.9.1 Tube-sound vs. transistor-sound poteg-10-09-1-tube-vs-transistor-sound 10.9.2 Tube-Watt vs. transistor-Watt poteg-10-09-2-tube-watts-vs-transistors-watts 10.9.3 Coupling capacitors poteg-10-09-3-coupling-capacitors 10.9.4 Sound event vs. listening event poteg-10-09-4-sound-event-vs-auditory-event  

What’s in a Name: PotEG has something to say about Well-Known Amps

10.10 Comparative analyses poteg-10-10-comparative-analysis 10.10.1 … for they knew what they did? poteg-10-10-1-did-they-know 10.10.2 Stage topology poteg-10-10-2-topology 10.10.3 Headroom charts poteg-10-10-3-headroom-chart 10.10.4 Comparison of nonlinear distortions poteg-10-10-4-distortion-comparison 10.10.5 Audibility of nonlinear distortion poteg-10-10-5-distortion-audibility 10.10.6 Comparison of Frequency responses poteg-10-10-6-frequency-responses 10.10.7 Comparison of VOX, Fender & Marshall poteg-10-10-7-vox-fender-marshall 10.10.8 Modeling amps poteg-10-10-8-modeling-amps

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